The introduction to 1996 Catalogue

„(…) a student of professors deriving from a colouristic painting trend, a follower of their characters and traditions. His continuation, however, isn’t an imitation of his masters, but a creative development of postimpressionistic painting and finding his own place in contemporary art (…) Referring to wall-painting, which comes from Waclaw Taranczewski and Janina Knaupe-Swiderska, he finds his own path and his own vision of the world (…) Both in his easel and wall-painting, the compositions are very colourful, they have a synthetic form perfectly related to the interior architecture.”